List of works by George Frideric Handel. This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category: Handel, George Frideric. A list of works in the composer category that are not included here can be found on this page.
Messiah - George F Handel (1685 - 1759) When Handel settled in London in 1712 there was already a thriving Italian opera scene and he soon became its leading figure.Operas. All works are opera seria in three acts, unless otherwise stated. Pancieri. Nero. 17. Theater am G. Salvani. Agrippina. 17. 09- 1. Teatro San Giovanni Grisostomo, Venice. Grimani, Vincenzo. Rinaldo. 17. 11, Queen's Theatre, London. Rossi, Giacomo/Hill, Aaron, after Tasso, La Gerusalemme liberata. Rinaldo. 17. 31, King's Theatre, London. Rossi, Giacomo/Hill, Aaron, after Tasso, La Gerusalemme liberata. Il pastor fido. 17. Queen's Theatre, London. Rossi, Giacomo, after Guarini. PROGRAM NOTES MESSIAH: A BOSTON TRADITION. 22 HANDELANDHAYDN.ORG H+H and Messiah Through the Years. The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, in. Program Notes For Virginia Symphony Orchestra Handel’s Messiah By Laurie Shulman . Allegretto grazioso VA GODENDO G F Handel Aria from Serse Sop Piano 1 2G Va. List of works by George Frideric Handel. Serse: 1738, King’s Theatre, London Opera. Il pastor fido. 17. King's Theatre, London. Rossi, Giacomo, after Guarini. Terpsicore. Teseo. Queen's Theatre, London. Haym, Nicola Francesco, after Philippe Quinault. Silla. 17. 13?, London? Lalli. Muzio Scevola. King. An arrangement, by an anonymous composer, of music from Handel's opera Rodrigo. Kitty Clive at her benefit performance of William Congreve's The Way of the World (Act III). Music composed in London, 1. Il trionfo del Tempo e del Disinganno. Il trionfo del Tempo e della Verit. Cecilia's Day. 17. Theatre in Lincoln's Inn Fields, London. Libretto at Stanford. Cantatas. HWV. Ah che pur troppo ! No source attributed to Handel. Fragments printed in wrong order in HG. It appeared in the cantata HWV 8. Libretto by Newburgh Hamilton, from Cecilian Ode 1. One version copied for Ruspoli, 1. One version copied for Ruspoli,1. Probably composed for the soprano, Margherita Durastanti. First performed by the soprano Anna Marie di Piedz. O lucenti, o sereni occhi. Probably composed for the soprano, Margherita Durastanti.; Libretto by Cardinal Benedetto Pamphili. Occhi miei che faceste? Copied for Ruspoli, 1. Slow middle section formed the basis for the final chorus of . Thematic ideas from 2 movements used in . Authenticity uncertain. Autograph, which survives, presented to Legh in 1. Charles Legh. Composed in London. The unhappy Lovers: As Celia's fatal arrows flew. Charming Cloris: Ask not the cause / The poor Shepherd: The Sun was sunk beneath the Hills. As on a Sunshine Summer's Day. Bacchus Speech in Praise of Wine: Bacchus one day gayly striding. The Polish Minuet or Miss Kitty Grevil's Delight: Charming is your shape and air. The Sailor's Complaint: Come and listen to my ditty / Hosier's Ghost: As near Portobello lying. Di godere ha speranza il mio core / Oh my dearest, my lovely creature. The forsaken Maid's Complaint: Faithless ungrateful / The slighted Swain: Cloe proves false. From scourging rebellion or A Song on the Victory obtained over the Rebels by His Royal Highness the Duke of Cumberland. First performance: Sung by Thomas Lowe at Vauxhall Gardens, 1. May 1. 74. 6. Composed to celebrate the Duke of Cumberland's defeat of the Jacobite forces at Culloden on 1. April, 1. 74. 6. The forsaken Nymph: Guardian Angels now protect me. I like the am'rous Youth that's free. First performance: 2. February 1. 73. 7: London, Drury Lane Theatre. Incidental music - probably sung in John Gay's . Der Tod ist verschlungen ! Maria regina. Soprano. Rome 1. 70. 7- 8. Recitative and aria. Misattributed to Handel; composed by Giovanni Battista Ferrandini (1. Misattributed to Handel; by A. MS copy Handel from circa 1. Misattributed to Handel; by A. MS copy Handel from circa 1. Anthony of Padua. O qualis de coelo sonus. Rome, May- June 1. Premier: ? Whitsun. Saeviat tellus inter rigores. Rome, 1. 70. 7. 1. July 1. 70. 7. Motet for the Feast of Madonna del Carmine. Silete venti. Soprano. London, circa 1. 72. Psalm settings. HWV. Dixit Dominus. Soprano, Alto, Chorus. April 1. 70. 7, Rome. Dixit Dominus represents Handel's earliest dated autograph, and it is the earliest surviving autograph from his large- scale compositions. Maria di Monte Santo in Rome on 1. July 1. 70. 7, the feast day of . Maria di Monte Santo in Rome circa 1. July 1. 70. 7 to celebrate the feast day of . Maria di Monte Santo in Rome circa 1. July 1. 70. 7 to celebrate the feast day of . Lawrence, Cannons Park, Edgware. Also considered a Canticle. Lawrence, Cannons Park, Edgware. Psalm 9, 1. 1, 1. Tate and Brady's . Lawrence, Cannons Park, Edgware. James's Palace, London. O sing unto the Lord a new song; Chandos Anthem No. Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. Partly based on . Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. Two movements added later. James's Palace, London. Psalms 8. 9, 9. 6, 1. As pants the hart. Circa December 1. May 1. 71. 3. King's Chapel Royal. Scored for organ and basso continuo alone. As pants the hart. Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. Orchestrated version of HWV 2. The first Chandos Anthem composed(?). As pants the hart. October 1. 72. 2. Chapel Royal, St. James's Palace, London. Orchestrated version of HWV 2. As pants the hart. Scored for organ and basso continuo alone. As pants the hart. King. 7. 17. 18- 0. Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. Partly derived from the . Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. Psalms 1. 17, 1. 35, 1. Nahum Tate and Nicolas Brady's . Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. Psalms 1. 8, 2. 0, 2. Let God arise; Chandos Anthem No. Cannons, 1. 71. 7- 1. St. Lawrence, Cannons Park, Edgware. James's Palace, London. O praise the Lord, ye angels of his . By Maurice Greene, before 1. September 1. 72. 7 - 1. October 1. 72. 7. October 1. 72. 7. Westminster Abbey. For the Coronation of King George II and Queen Caroline. Performed at the Anointing. September 1. 72. 7 - 1. October 1. 72. 7. October 1. 72. 7. Westminster Abbey. For the Coronation of King George II and Queen Caroline. Sung at the Recognition (the King being presented to the people). September 1. 72. 7 - 1. October 1. 72. 7. October 1. 72. 7. Westminster Abbey. For the Coronation of King George II and Queen Caroline. Should have been sung at the Recognition, but instead it was performed at the Crowning. September 1. 72. 7 - 1. October 1. 72. 7. October 1. 72. 7. Westminster Abbey. For the Coronation of King George II and Queen Caroline. Performed during the coronation of the Queen. James's Palace. Performed during the wedding of William, Prince of Orange, and Anne, Princess Royal. James's Palace, London. For the wedding of Frederick, Prince of Wales, and Princess Augusta of Saxe- Coburg. Revised for the wedding of Princess Mary. James's Palace, London. Performed during a service in King George II's presence to celebrate his safe return to England. Also, to celebrate the combined Austrian and British armies over the French at Dettingen in Lower Franconia on 2. June 1. 74. 3. James's Palace, London. To celebrate the peace of Aix- la- Chapelle (Aachen). The solo movements were probably added circa 1. Paul's Cathedral, London. James's Palace, London. Lawrence's Church, Whitchurch. Composed by Handel during his stay with the Duke of Chandos at Cannons. James's Palace, London. James's Palace, London. Performed during a service, in King George II's presence, to celebrate his safe return to England. Also, to celebrate the combined Austrian and British armies over the French at Dettingen in Lower Franconia on 2. June 1. 74. 3. Possibly for Corelli in Rome. Organ Concerto, Opus 4 No. G minor. 1. 73. 6- 0. February 1. 73. 6. London, Covent Garden Theatre. First performed with . G minor. 1. 73. 5- 0. March 1. 73. 5. London, Covent Garden Theatre. Variant versions of last movement. First performed with the oratorio . F major. 1. 73. 5- 0. March 1. 73. 5. 1. April 1. 73. 5. London, Covent Garden Theatre. Originally concluded with 'Alleluja' chorus (HG 2. Handel for Walsh publication. First performed with . F major. 0. 00. 0- 0. March 1. 73. 5. London, Covent Garden Theatre. Performed with revival of . F major. 1. 73. 9- 0. April 1. 73. 9. 1. April 1. 73. 9. London, King's Theatre, Haymarket. Referred to as Organ Concerto . The bird- song motives of the 2nd movement earned the concerto the nickname, . A major. 1. 73. 9- 0. March 1. 73. 9. London, King's Theatre, Haymarket. Referred to as organ concerto . Arranged by Handel. Organ Concerto, . D minor. 0. 00. 0- 0. Referred to as organ concerto . G major. 0. 00. 0- 0. Referred to as organ concerto . D major. 0. 00. 0- 0. Referred to as organ concerto . G minor. 0. 00. 0- 0. Referred to as organ concerto . Ending adapted by Handel to lead into another movement. February 1. 74. 6. Referred to as organ concerto . First performed with the premiere of The Occasional Oratorio (HWV 6. Arranged by Handel. Organ Concerto, Opus 7 No. A major. 1. 74. 3- 0. February 1. 74. 3. February 1. 74. 3. London, Covent Garden Theatre. Performed with the oratorio Samson (HWV 5. Organ Concerto, Opus 7 No. Handel's last orchestral work. Organ Concerto, Opus 7 No. D minor. 1. 74. 4- 0. February 1. 74. 6. Performed with premiere of . G minor. 1. 75. 0- 0. January 1. 75. 0. March 1. 75. 0. London, Covent Garden Theatre. Performed with . Final gavotte in published version probably added later by Smith Jr. Part of a fragmentary outline of an organ concerto. Concerti grossi. HWV. B. Earliest surviving manuscript score from circa 1. Probably the earliest concerto in the Op. G major. 17. 18- 0. Opus 3 No. 4a. Referred to as either . In Walsh's 2nd edition of the Op. D major. 17. 34- 0. Opus 3 No. 6. Published by Walsh in 1. C major. 17. 36- 0. January 1. 73. 6. February 1. 73. 6. First performance between the acts of the oratorio, Alexander's Feast (HWV 7. G major. 17. 39- 0. September 1. 73. 9. F major. 17. 39- 1. October 1. 73. 9. E minor. 17. 39- 1. October 1. 73. 9. A minor. 17. 39- 1. October 1. 73. 9. D major. 17. 39- 1. October 1. 73. 9. Opus 6 No. Cecilia's Day (HWV 7. G minor. 17. 39- 1. October 1. 73. 9. C minor. 17. 39- 1. October 1. 73. 9. F major. 17. 39- 1. Probably between 1. October 1. 73. 9. The Gigue was originally intended by Handel for the Concerto Grosso in F major (HWV 3.
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